About Fireflies in the Night
I’ve always wanted to see what we could do.
I compete. I build. I move. When I step onto the field, I’m carrying more than myself—the people beside me, the ones who helped me get there, something we might make possible together.
Fireflies in the Night is another way of stepping in.
My name is Ahmad Abrar. I was born in Pakistan and grew up in Teaneck, New Jersey. My life has unfolded among overlapping worlds: Muslim family life, American streets, businesses, marriage, music, community. They’ve never stayed neatly apart. Neither have I.
My father took me to hear the Last Poets. I remember the pleasure of having lyrics in my hands. Hip-hop, rap, poetry—words with rhythm, intelligence, nerve. A line makes you smile, then catches you somewhere deeper. I love that. I want to make work that can do that.
There’s plenty to talk about.
A tradition can hold beauty and still ask too much of someone. You can stand by a principle and struggle with its application. Even being right needs timing. Sometimes you push; sometimes you wait. You make decisions with the understanding you have, then live long enough to see another layer.
I’ve been inside those collisions. I’m interested in what becomes visible there.
I come from hospitable, generous people. I’ve seen talent flourish, and I’ve seen it crowded out. The mocking and ridicule are familiar. I dealt with them at ten, fifteen, twenty. Some will come again.
So be it. I’m still playing.
Here you’ll find songs, poems, spoken reflections, essays, films and unofficial histories of people and places I’ve known. There’s pleasure in this work. Humor. Attraction. Winning. There’s pain and grief, too, sometimes close enough to laughter that you can hardly separate them.
My late wife, Hina, once said, “Abrar, you’re going to attract attention like fireflies in the night.”
I still hear her saying it.
That little creature holds so much for me: wonder, intimacy, a signal searching for an answer. Prayers reaching toward the skies, blessings returning. Goodness looking for goodness in the darkness.
My faith in God runs through how I see it all. And after everything, the beauty still stops me.
I’m an amateur in the sense that matters to me: I do this for love, and I care how well I do it. I want my children and grandchildren to hear the people behind their history. I also want to see what happens when these words reach someone I’ve never met.
The mic is mine now. Let’s follow a thought.
If it resonates, stay. If it doesn’t, press stop. Let whoever wants to listen, listen.
Some material here involves real people and real history. What's shared publicly has been chosen with that in mind.
